Showing posts with label visualcrash. Show all posts
Showing posts with label visualcrash. Show all posts

Wednesday, June 27, 2012

Busy like a bee or other carnivorous insect

And I have been quite busy working on a few new concepts, a few old concepts and some fun things in between. To give you all a quick run down

For the fanatical sports following fan that I am a fixture wallpaper gives me a chance to work with a brand without being restricted by guidelines. Awesome fun, if I do say so myself.

So here is the Melbourne Victory highly unofficial Wallpaper:



Home Kit:


Away Kit:


and as well as this work has been quite busy but I got to SKETCH A FREAKIN LION and if you don't believe me you can look at this below(I'm still excited):


So this resulted in some good responses from the legal community including emails and a phone call indicating that I may be asked upon for private illustration work.

And as well as this I've been sketching lots including pencil and ink art that result in things like this.

and more and more sketching on mondays
Will keep posting. Have fun lovely people.

Tuesday, February 28, 2012

Keeping up Appearances

 So I've been keeping myself busy posting up weekly sketches (missing only the occasional week) for you to look over and some additional projects have popped onto my radar.

I've posted a selection of them and I'll try and post up occasional blogs with some images. If you want to follow it on facebook the account to track is here

 


This image(above) was drawn to celebrate the birth of my nephew to my Sister and Bro in law in Helsinki


As well as all this I'm entering a competition called (and don't judge me on the name) Pimp my M.U.F. by painting/sculpting/changing a Ukelele for the Melbourne Ukelele Festival. The final piece is incomplete as yet with the quick dry clay and a base level of paint applied. 
Here is a preview:


And with only the penwork and paper strips to finish this off it should be all set to be on show at the Trades Hall on the 9th through to the 11th of March 2012. If you can tell what it is, congratulations because I'm still hoping it will work.

p.s. Any questions or requests, please post through.
 

Tuesday, August 16, 2011

Monday(on Tuesday) Notepad Image #003 - Awake

The third image, while a litte late is from Notebook #16.


Awake

This sketch is a focus on one of my more repeated topics of the eye itself. Something I practiced sketching on post-it notes, maths text books and anything else. I know the matchstick is quite short but pretend this is a matchtsick for ants....

Thursday, May 6, 2010

Illustrator Interview - Simon Sherry


For most people the ability to call on numerous demons, creatures of the night and gigantic robots of destruction would be enough to pass the time but illustrator and creative mind Simon Sherry still has ideallistic views of taking over the world as a dastardly villain.

Well, at least, it seems that way anyway.

With a definitive style of jagged dark lines, silhouettes and limited tone shading you could be fooled to thinking that a tee or a poster may not contain much detail but you'd be wrong. From the meticulous fluid lines inside a Killbot™ to the hairs on the chest of a gun toting Ace of Clubs his attention to detail is superb and the creations leap off the page and into the mind of the viewer.


VC - Most illustrators have found that inspiration comes from there childhood and what literature inspired them. What is the picture book or comic that started you wanting to draw?

SS - I can point to four things:
  1. The Masters of the Universe toys and box art. If you’ve never seen the original box art, I recommend checking it out – it’s an awesome mix of Frazetta-style sword and sorcery and Flash Gordon Sci-fi pulp. Can’t go past Barbarians and robots! The miniature comics and storybooks that came packaged with the toys also fired up my imagination, and probably sowed the seeds for my love of pulp fantasy.
  2. Warlock of Firetop Mountain and the whole Fighting Fantasy gamebook series – again, an amazing array of art both on and between the covers.
  3. Maurice Sendak’s Where the Wild Things Are and In the Night Kitchen – pure fuel for the imagination.
  4. Larry Elmore’s art on the Dungeons and Dragons gamebooks – take a look at the red box artwork of the basic set for an example of what I mean (I’ll give you a hint, one lone warrior versus one very big and angry dragon).


VC - Have any of your killbots ever been arrested for disturbing the peace?

SS - Not that I’m aware of – although it’s possible that someone’s tried – the bodies just haven’t been found yet.



VC - What is your best inspiration when having a creative blockage(your plumbing muse so to speak)?

SS - Playing with the kids, random scribbling on paper or monitor, loud music in the ears and a short walk – all of these things have been known to kickstart my creativity.



MF - You have a range of different projects that have been completed including Killbots™, Deck of Cards and The Game of Kings™, What other projects are currently sitting in the docking bay?

VC - Well, I’m pretty excited about the next phase of Game of Kings. People have seen the ‘cast’ that make up the two opposing sides of the board, so the next step is to have them duke it out. We’ve managed to bring some new recruits into the fold to lend their own particular brand of artistic muscle to the endeavour, and I think we’re going to end up with a pretty awesome collection of work to show you all later in the year.

Aside from that, I’ve been assembling my own fictional concept band as part of a challenge being run over at redbubble, and slowly but surely gathering steam with a couple of other ideas that will hopefully see the light of day sooner rather than later. One of them involves a certain undead egg, and I’m pretty eager to get onto it…



VC - I have heard that you are a fan of your Wacom (on occasions it could be seen as a deity of drawing) Is there any other equipment that you are especially fond of?

SS - I think that if I didn’t have a Wacom in my arsenal, I’d be a pretty sad fellow. These days it’s pretty much my primary tool of the trade, although I still like to break out the ballpoint and paper on occasion. I’m keen to try my hand at a bit of sculpture, but like a lot of things, it’s something I haven’t managed to get to yet ;o)


VC - If you had to have any movie/tv series alien as a pet, where would you keep them(oh and which alien)?

SS - He doesn’t really count as an alien, but a miniaturized Godzilla would be perfect. Not only would he be a great conversation starter, but I could set him loose on the neighborhood teens when they get on my lawn.



VC - Should the world be attacked by intergalactic demons with swords would you:
a) Turn on Killbots 7 and 8. 7 to destroy them and 8 to have a cup of tea.
b) Unleash the Bullrock, or at least leave the sidegate open for it to go on a rampage across the land.
c) Politely inquire with the Queen of Diamonds to stare them down.
d) Save the file, go to bed and look forward to finishing the sketch in the morning.

SS - Well…

a) Odds are that no. 7 would turn on me instead, dysfunctional as it is, and I don’t think I’d ever be game to try the concoction no. 8 calls ‘tea’ – I’ve seen what it does with it’s victims, and I’m convinced that liquid has more in common with Soylent Green than Twinnings.
b) Not unless I like the idea of being either stomped or incinerated, or both.
c) She’d probably end up striking a deal with them and taking me out herself.
d) That sounds like the safest bet ;o)



All images in this interview are by the awesomeness that is Simon Sherry . If I could claim any credit for them I would but I have a fear of Killbots that stops me acting unethically

Tuesday, March 23, 2010

Photography Interview - Paul Louis Villani

As a new person to the wonders of art on the web my first impression of Paul came from meeting him at a few walks around the Botanic Gardens. With a dominating hieght you can be fooled by Paul being a dangerous person but his demeanor, friendliness and smile dismiss all of that in an instant. And this is all before he starts picking up his camera.
 
When he does get his hands into the artwork it seems that light, sky, trains, instruements and models are his bread and butter. His extensive collection of shots vary from all around Melbourne's industrial scene burning vivid colours and images into your mind. From trains, models and automobiles everything that stands in front of Paul's wide angle becomes a vivid story layered in history.


VC - What inspired you to first pick up a camera?

PLV - Mum. She was always the designated photographer at all family events, eventually becoming official wedding photographer at a few matrimonies along the way. She wasn't a trained pro but she loved capturing people at play. Other inspirations come from my earliest memories of band and musician photography. The covers of albums and the covers of The Rolling Stone magazine are definitely some of the first things that piqued my interest in what a photographer can do.


VC - You have a heavy influence of music in your photos and, evidently, you are a musical person at heart. If you had to choose any band to photograph the album art for, who would it be and what would you think you’d like to do?

PLV -  Oh dear... only one band?? ;p
I sometimes feel a little strange about being so "into" the era of music from 1966 to 1976... I say this because I was born in 1970 and logistically should've been influenced by the mid eighties to the mid nineties but...
The imagery that was created for and about musicians during that time (late 60's early 70's) still inspires me today.
So, to answer your question (before I blabber on about music for the next 10 hours!!! hehe!) I would love to photograph musicians like Muse, The Killers, System of a Down, Lady Gaga, David Bowie, Plant and Krauss, Jack White, Sarah Blasco, Missy Higgins, The Arctic Monkeys, Peaches and Wolfmother... You can see why it is very difficult to narrow that all down to just one!! :)
The way I'd shoot them... well that would all depend on their brief and their imminent needs but if it was up to me it would be something avant garde... create a new and visual world within a controlled setting and let the musicians shine whether that be by their own personality or by creatively nurturing an alter ego yet to be exposed... that would be joyful photographic challenge!

VC - Your fascination for rust and grime in industrial photos seems to be boundless. Have you ever dismissed items that are too clean?

PLV - Too clean... LOL!! :D
I'm sure I've walked past many "clean" scenes and just put the camera away but these scenes can sometimes be (visually) absolute magic!
Minimalistic vastness, bland hues and different shades of grey... to be able to photographically "see" more than what is already there, that can be the recipe for some pure art.


VC - Are freight trains better than passenger trains?

PLV - Yes. ...and no! Passenger trains are cool but freighters just seem to have rustic and charismatic qualities. Before photography took over my life trains were kind of passé' in my world.
It wasn't until I spent some creative time in country Victoria that I began to understand and appreciate the whole "rail" thing and the robust beauty of a freight train.
We are all intrinsically drawn to things that have qualities we admire or aspire to... I often wonder if that's the reason why I enjoy capturing trains in general.
They are strong, powerful, dependable and necessary, all things I wish I was, all things I aspire to be as an artist and as a human being.


VC - If you had to run quickly out of the house as it was on fire would you (with everyone else from your house being safe)?
a) pick up the camera to ensure you had photos of a burning building.
b) pick up your guitar to play a concert for the firemen and the neighbors
c) pick up the timetable for the next Melbourne - Sydney train to make sure you didn't miss a good photo opportunity
d) all of the above.

PLV - LOL!! Without a doubt the answer is D!! Naturally I couldn't help myself but to take some piccies of the event... and yes, if there is a Guitar in my hands I'm going to start singing and probably scare the firemen away (which would be bad because of the fire!!) and yep, wherever a good photo opportunity is, I'll go!
Peace!

Wednesday, December 9, 2009

The Ruby Tuesdays - Something happens on a Tuesday


A group of friends and I have been getting together recently, to test out and enjoy the benefits of a tuesday night shoot at various locations in and around Melbourne. Known as the Ruby Tuesdays we tend towards various locals of disrepair, desolation and isolation. Fun all around.
These are some of my own photography from the time but I will post up the others stuff in the next few Blogs.






Thursday, October 29, 2009

Quick Update

I'm sorry but I don't often post 2 days in a row but I have just opened up one of my presents I bought for myself from Japan and am crowing about it now. All I can say is that if you are a designer/artist/desktop publisher you should get a Wacom Tablet.

My first effort doesn't do it justice but here it is below:


The smoothness, the detail and even the fun little things like turning the stylus upsidedown as an automatic eraser just make working so much smoother.




But try it out yourself. I'm just going to need more hours in the day to test it out.

Oh and look at my previous post for Lara Luz when you get a chance

Wednesday, October 28, 2009

Photographer Profile - Lara Luz

Since I haven't been posting my own photos so much recently I thought I should show you some of the great photographers I get to catch up with.


Lara Luz Concert, Portrait, Creative, Artistic and Fun Photographer



Concert Website

Red Bubble Site


With an unnerring eye for the dramatic, a sixth sense for darkness and a habit of making seemingly normal situations highly intriguing Lara gets to photograph some of the best live bands Melbourne has to offer. Considering she also steps out to do portraiture, creative and artistic shooting as well I'll have to just focus on the concerts for now.












So please have a look at all her work, this is just one aspect of it and enjoy.

Monday, July 27, 2009

Someones been sketching.

So I should explain that I've been sketching a little more recently. A little more excitedly and a little more fervently. But I have also recently tried to make my T-shirts look more interesting by adding the balaclava posing rocker to show off the styles.

So to introduce my sketches:


/\ The Flying Ship /\

/\ The Cheshire Cat Grin/\



/\ The Monkey Powered Tugboat /\


/\ Leap with Boots/\


/\ This Penguins Got a Gun/\